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    • The Naked shit pictures
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    • Gilbert & George


      Side by Side

      Publié pour la première fois en 1971 à 600 exemplaires.

      2013
      Cologne
      20 x 13,5 cm
      174 p.
      Reliure toile marbrée
      Edition de 2000 exemplaires numérotés et signés.

      Out of Stock
      Art titles : 1969 – 2010 In chronogical order

      Préface de Hans U. Obrist et Ingo Philbrick.

      2011
      Cologne
      21 x 15 cm
      180 p.
      Broché
      Conception et mise en page de Gilbert & George

      12 €

      Somerset House 1971

      Edited by Hans Ulrich Obrist

      2002
      Cologne
      10 x 8 cm
      Flip-book

      Price on Request

      The World of Gilbert & George

      « Philip Hass asked us if we would like to make a film and we said YES. He then asked us what it would be about. We decided that the film should contain, explore and express ALL of our thoughts, feelings, hopes, dreads, dreams, loves, nightmares, disasters, prophecies, memories and tears. We then quickly drew up a filmscript and speedily brushed out a mental storyboard of some 900 or so ink washes. The filming kept closely to these. We were and remain very proud of this artists’ film. » Gilbert & George.

      2001
      Londres
      21,7 x 30 cm
      464 p.
      Relié
      Introduction de Marco Livingstone.
      Edition de 1000

      70 €

      New testamental pictures
      1998
      Milan
      27 x 21 cm
      63 p.
      Broché

      10 €

      The Naked shit pictures

      Catalogue for the exhibition Gilbert and George: The Naked Shit Pictures at The South London Gallery, London, September 5 – October 15, 1995. With an essay by Wolf Jahn.

      1996
      Amsterdam
      21 x 30 cm
      19 p.
      agrafé

      15 €

      The Singing sculpture

      Gilbert & George first presented The Singing sculpture in 1969, then repeated it over the next three years in the U.K, Europe, and Australia, and for the opening of New York’s Sonnabend Gallery in 1971. Mounting a table, their faces and hands painted in metallic colours and wearing neat, if ill-fitting suits, they executed automaton-like movements as a cassette recorder repeatedly played « Underneath the Arches », Flanagan and Allen’s Depression-era song about two down-at-heel drifters who « dream our dreams away ». The effect on their audience was unsettling but mesmeric : who were this odd duo whose demeanour and appearance were so unlike the prevailing idea of the artist? And what, if anything, did their seemingly anachronistic yet undeniably avant-garde presentation mean? As one critic wrote at the time, their Living Sculpture was a combination of Flaubert’s « Bouvard and Pecuchet doing a music hall turn, figures playing at being military dolls, Schlemmer’s Triadic Ballet and Léger’s Ballet Mécanique in English terms. »

      1993
      Munich/Stuttgart
      34,5 x 24 cm
      64 p.
      Reliure pleine toile et jaquette à rabats imprimée

      30 €

      With Gilbert & George in Moscow

      In the Spring of 1990, Daniel Farson flew to Moscow with Gilbert & George. He was there to cover their exhibition for the Sunday Telegraph, but the experience became so strange that he came downstairs one morning in the Ukraine Hotel and told them – « This should be a book ».

      1991
      Londres
      25 x 19,7 cm
      192 p.
      Reliure pleine toile
      Offset quadri et duotone.

      15 €

      Worlds and Windows
      1990
      Londres
      31,5 x 23,5 cm
      Relié

      Price on Request

      « The Paintings » (with us in the Nature) of Gilbert & George the human sculptors 1971

      Gilbert & George have turned their hand to many things. This work, The Paintings, stands as one of their major achievements.

      1986
      Edinbourg
      35,5 x 26 cm
      19 p.
      Relié

      Price on Request