Daniel Gustav Cramer
Lago di Braies, Dolomites, Italy, August 2011
The Tales series has accompanied Cramer for over 25 years, unfolding narratives through minimal means with just a few pages and photographs. Through the repetition of similar images, subtle changes gradually surface, allowing understated narratives to resonate. It is moments of suspension, captured just before something happens, leaving both the photographed subjects and the viewers suspended in a quiet tension.
“Every photograph I take is taken with the hope that a possible narrative will unfold. Later, in the studio, I can see whether a sequence can actually be found that will yield a small story from the various pictures – or from one individual photograph. It is through repetition of a similar image that these narratives begin to emerge. Often almost invisible changes can generate the most intense moments.”
Vienna
Mark Pezinger Books
23 x 16.6
Impression couleur, plié, ed. 500, numéroté
4 p.
28 x 20 cm
Une page pliée contenant une feuille volante et un c-print unique, ed. 50 (incl. 50 unique c-print)
Paris
Yvon Lambert
28 x 20 cm
Agrafé. Impression Riso. Édition limitée à 200 exemplaires
20 p.
Vera Cortes
20.5 x 14 cm
2 livrets agrafés, impression n&b, ed. 250
16 p.
33.5 x 24.6 cm
New Documents Impression offset, 228 p. + 22 feuillets, reliure cousue, couverture toilée sous jaquette
Paris
22,5 x 16,5 cm
1 feuillet recto verso, offset couleur, 500 ex. numérotés
Paris
22,5 x 16,5 cm
leporello, offset couleur, 500 ex. numérotés
29 x 21 cm
A series of unique photographs of temporary sculptures made of paper. ed. 500
16 p.
21,7 x 13,8 cm
In collaboration with Henry Andersen, 8 pages, inlay 1000 ex. (of which most are lost) The publication is part of the Pune Biennale, curated by Luca Cerizza and Zasha Colah. The text, written in the local language
Vienne
20 × 28 cm
16 p. + 1 photo unique, offset couleur, 200 exemplaires
Un livre qui documente, prolonge et constitue l’aboutissement d’un triptyque d’expositions de Daniel Gustav Cramer et Haris Epaminonda, un vaste projet initialement basé sur le travail du cinéaste japonais Yasujiro Ozu qui s’est développé sous la forme de trois installations à Samsa, Berlin (2010), dans le cadre de dOCUMENTA (13), Kassel (2012) et à la Kunsthalle Lissabon, Lisbonne (2012).
Milan
21,5 x 28 cm
Relié toile
Textes de Ana Teixeira Pinto et Luca Cerizza.
Edition anglaise
140 p.
Düsseldorf
Published by Sies + Höke
24 x 17 cm
8 pages, 600 ex. Photographs of a monkey in Europe
Publié à l'occasion de l'exposition "Ten works" à la Kunsthalle, Mulhouse. Edition de 500 exemplaires.
L’artiste utilise la photographie pour créer des atmosphères narratives variées, l’histoire de cette édition débute avec un séjour à Majorque et un balcon avec vue sur un terrain de pétanque improvisé, “In the summer of 2001 we spent two weeks in Cala Moraia, Mallorca. From our hotel balcony we saw locals gathering regularly in the shade of a group of trees to play boule. We would sit there for hours, in the heat of the day, not talking much. I remember falling asleep and waking up again. After sunset the lights of the nearby bars and restaurants illuminated the promenade, the leaves and our faces”.
Maria Alm, Steinernes Meer, Austria, November 2002
21 x 14,5 cm
agrafé
Edition de 500
8 p.
Out of Stock
The text loops and merges into one continuous narration, describing a man walking on a forest path at night on his way home.
Published on the occasion of “Six Works” at The Return Gallery Dublin.
Supported by Goethe Institute Dublin.
Printed by Martin Sorg at Schesener, Berlin
In collaboration with Haris Epaminonda.
A project by Jacob Fabricius. Artists are invited to produce an interpretation of printed news of the last six months.
Pork Salad Press
40 x 28 cm
12 pages, 500 ex.
An invitation publication for two exhibitions in London with an essay by Charles Darwent.
